The book, or rather the images it often collects, and its place of choice, the library, constitute the object of study and experimentation in 'Il Crampo di Gesso'.
Guided by the meanings of the Library of Babel and the latent explosiveness that every 'sleeper' image contains, this project explores a library from a transcendent perspective, allowing itself to be led by the images found in books and all their combinatorial possibilities, with the idea that, to paraphrase Borges, to adopt another thought implies suggesting the limits of our own.
